Teaching Philosophy


            My first introduction to learning theory was as a graduate instructor of freshman composition. A research project led me to The Whole Story: Natural Learning and the Acquisition of Literacy in the Classroom, by Brian Cambourne (1988). In this book, Cambourne identifies seven principles of learning that take place when we learn to communicate as children, and then offers ideas as to how to apply this to learning to write in the classroom. The seven principles—immersion, demonstration, expectations, responsibility, approximations, practice, and feedback—offered my first, real pedagogical foundation on which to build my instruction. As I reflected on the learning elements and situation that existed to help us learn language as children, I realized the importance of having a meaningful situation in which to use knowledge and skill, and of having an expert to model knowledge and skill use and to provide feedback and guidance on our own attempts. Cambourne’s ideas resonated with me, and I noticed them occurring in many successful learning situations. As I applied the theory to practice, I felt I had more engaging, productive, and meaningful learning experiences in my classroom.
            Constructivism and cognitive apprenticeship helped me better understand why Cambourne’s principles could lead to successful instruction and learning. At the heart of constructivism is the notion that our learning is based in experience and is built off what we already know (Ertmer and Newby, 1993, p. 62-63). In relation to Cambourne, we learn as we are immersed into a situation where knowledge is used meaningfully. As a child, we are constantly placed in situations where there is an authentic need to communicate and need to learn from others and our own experience to communicate. Without that context, learning loses its meaning and does not happen as effectively. Further, as the child hears language from others, and uses language, that child constructs an understanding of the meaning of words, language structures, and discourse communities.
            Cognitive apprenticeship builds off Vygotsky’s social constructivism, explaining how others help learners construct knowledge and understanding in an apprenticeship-like setting (“Cognitive Apprenticeship,” 2011). Expert knowledge users model or demonstrate to learners how knowledge is used, providing them with a framework on which to act and construct upon. The expert allows learners to practice the use of knowledge, and teaches learners to evaluate their use of knowledge based on expectations. The expert provides feedback to help the learner develop their own evaluations of how they are learning. The learner is provided with a lot of structure as they make novice attempts, which structure is gradually removed as the learner gains competency, skill, and independence.
            One example of successfully using cognitive apprenticeship principles of modeling, structuring, practice, and feedback occurred in one of my freshman composition classes. My students were working on an assignment called the genre project. Each student was to write an essay where they analyzed three genres in a career of interest to them. The project involved vocabulary and a type of writing that was unfamiliar and difficult to many of them. To prepare for class, I made a detailed assignment description with questions that would guide students in their writing. I also asked students to bring one of the genres they would analyze to class.
The day of class, I projected a genre that I had brought. We explored the features and purpose of the genre as a class discussion. After the discussion and reviewing the assignment description, I modeled the thinking I would use to do the written analysis of the genre. Once they got an idea of the type of thinking and style of writing needed to complete this assignment, I had students help me continue preparing and writing a portion of the project on the board. As students offered comments, I gave appropriate feedback on their attempts. Our class discussion provided a visual example for what the students could discuss in their individual genre analysis.
After providing a model, I gave students time to practice analyzing their own genres, encouraging them to ask questions as needed. I roamed around the classroom, looking over the students’ efforts and giving suggestions where appropriate. Several students asked questions to clarify the assignment description. Many of these questions showed they were struggling to translate what we had done as a class to what they would do for their own project. I expected this, for translation is not an easy task. I found, however, that before I could answer their questions, they thought out loud and figured it out for themselves. It was an exciting moment as a teacher to see students capable and engaged in executing this writing assignment.
After grading their final product, I was impressed with the results of their analysis. Students who struggled with interpreting assignment expectations on previous projects seemed more thoughtful, thorough, and confident in this assignment. I worried at first that I was taking from their learning experience by being so explicit on the requirements and by doing a portion of the assignment together as a class. Rather, I found that our collaborative work provided a pattern that students could use for their own constructive thinking on a chosen topic. I feel that this was a major contribution to their success and growth.
As I have continued to learn more about learning theory, I have realized there is great worth for instructors to make pedagogical decisions based on a sound theoretical foundation. Some of these theories will have direct application in specific class activities. Some will change the way we look at learners and learning. I hope to continue to learn more effective ways to teach and gain a greater understanding about how people learn so that I can help my students make the most out of what I am capable of offering them.
References
Cambourne, B. (1988). The Whole Story: Natural Learning and the Acquisition of Literacy in the Classroom. New York: Ashton Scholastic.
Cognitive Apprenticeship. (2011). Retrieved from http://www.innovativelearning.com/teaching/cognitive_apprenticeship.html
Ertmer, P. A., & Newby, T. J. (1993). Behaviorism, Cognitivism, Constructivism: Comparing
Critical Features from an Instructional Design Perspective. Performance Improvement Quarterly, 6(4), 50–72. doi:10.1002/pfi.20102


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